Apart from producing many of his own movies, the filmmaker has backed movies like My Friend Pinto and Rowdy Rathore, which was directed by Prabhu Deva. The filmmaker was born in Mumbai in a Gujarati family and still loves Gujju food.īhansali’s contribution to the film industry as a producer is wonderful. His mother sewed clothes to make ends meet. (Photo: Archana Malpani via Wikimedia Commons 4.0)īhansali’s story may be seen as one of rags to riches. All three films have all the qualities we have come to expect of a Bhansali period piece: lavish choreography, brilliant camera work and music that gently accentuates the action. This critic fancies Goliyon Ki Raasaleela Ram-Leela (2013), Bajirao Mastani (2015) and Padmaavat (2018) as a trilogy. Starring debutantes Ranbir Kapoor and Sonam Kapoor, the film bombed at the box office despite lavish sets and a generous budget. Saawariya made it clear that Bhansali was only human. In any other director’s hands, this film would have been a five-hanky weepie, but Bhansali elevated it. Pitting the stubborn teacher (Amitabh Bachchan) against his promising deaf and blind student Michelle, played by Rani Mukerji, was an inspiration. That another movie, Dev D, radicalised the whole scenario is a totally different story.īhansali’s next movie, Black, was a watershed moment for Hindi cinema. But Shah Rukh Khan made the role his own in Bhansali’s version.
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Starring a mostly mournful Shah Rukh Khan, this film had arresting visuals of a kind not seen before in Bollywood.ĭilip Kumar, who died recently, had played Devdas with such flagrance in an earlier movie that the audiences always believed that no one could beat him. The song sequence featuring Madhuri Dixit and Aishwarya Rai Bachchan became iconic. The story had been committed to the big screen before, but Bhansali’s version was a sight to behold. The tragedy, Devdas (2002), brought out the best in the auteur. The film also had a strong feminist undertone, with Aishwarya Rai Bachchan portraying Nandini Darbar as a strong woman who can make her own decisions.
Unlike Khamoshi, Hum Dil… had spectacular sets and beautiful costumes, a sign of many, many movies to come. Without getting mawky, Bhansali, who hit the big screen after a gap of three years, managed to come out with an extravagantly shot triangular love story. This dichotomy between great music and complete inability to speak lends the film its poignancy.īhansali’s next was Hum Dil De Chuke Sanam ( I Have Given My Heart Away, Darling 1999). Annie wants to reach out to her parents and takes the help of her boyfriend (Salman) to achieve this. She is also interested in learning music, which she does from her grandmother (Helen). While her parents are speech- and hearing-impaired, Annie can speak and hear.
Khamoshi pits Annie (Koirala) against her parents, played by Biswas and Patekar. Kartik Aaryan on 'Dhamaka': "It was one of the most difficult roles of my career"
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